lil yachty 16

The 15 Best Lil Yachty Songs

Let's talk about the best Lil Yachty songs - from his early days with "One Night" to his most recent unreleased leaks. The Atlanta rapper has come such a long way since his debut on SoundCloud and subsequent signing to Quality Control. In no particular order, here's our list of the 15 best Lil Yachty songs.

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15. "Plastic" - Lil Yachty (feat. Icewear Vezzo and Rio Da Yung OG) (2021)

What better way to start this list off than Lil Yachty's iconic Michigan Boy Boat album from 2021? This banger features the likes of Icewear Vezzo and Rio Da Yung OG, who matched Yachty's energy perfectly. Talk about a Michigan masterpiece: "Plastic" shows off the best elements of the hip-hop sub-genre.

14. "Who Want The Smoke?" - Lil Yachty (feat. Cardi B and Offset) (2018)

Who can forget the first time they heard "Who Want The Smoke?" with Lil Yachty, Offset, and Cardi B all together on a single song. The energy was absolutely electric, and it's no coincidence why all three of them have continued to thrive in their respective careers to this day.

13. "Split/Whole Time" - Lil Yachty (2020)

This is arguably one of the hardest Yachty songs ever, I will vouch for that on anything. From the intro to the very last moment of this song, there's something very special about this one. It's so characteristic of Yachty, so it's no surprise why it's become such a popular song.

12. "Minnesota" - Lil Yachty (feat. Quavo, Young Thug, and Skippa Da Flippa) (2016)

Off his debut album, "Minnesota" is an absolute classic Lil Boat banger. The song shows off all of the best sides of Yachty around the time of his breakout into the music scene. Ahh, the good ol' days of SoundCloud.

11. "Solid" - Lil Yachty (feat. SoFaygo) (2021)

The beat of this song makes you want to tilt your head back and ascend into the sky. From Yachty's cunning bars to SoFaygo's unmatched vocal approach, they bodied this beat perfectly, and showed exactly how fire a collab between the two of them is.

10. "T.D." - Lil Yachty (feat. Tierra Whack, A$AP Rocky, and Tyler, the Creator) (2020)

Let's not forget Yachty's song with this legendary cast of characters, which sampled the "Tokyo Drift" production, and became a modern classic. Every artist on this song has a reputation for being creative, and they didn't disappoint with this one.

9. "Demon Time" - Lil Yachty (feat. Draft Day) (2020)

Yachty has a knack for putting listeners on to the best underground artists, and that's exactly what he did here with Draft Day. If you're a seasoned Yachty listener, then this feature should've came at no surprise to you.

8. "Get Dripped" - Lil Yachty (feat. Playboi Carti) (2018)

Here's yet another one of the best Lil Yachty songs. Off of Yachty's Nuthin' to Prove album, "Get Dripped" gave fans a rare glance at just how special Yachty and Carti collabs are. The two artists morph their unique Atlanta-based styles together, and create music that literally nobody else in rap could replicate.

7. "66" - Lil Yachty (feat. Trippie Redd) (2018)

As far as timeless Lil Yachty classics go, this song is one of the top options. Trippie Redd and Lil Yachty both bring an unconventional style to the table, so of course the result of their collaboration is exactly that: unconventional.

6. G.I. Joe - Lil Yachty (feat. Louie Ray) (2021)

Another song from Yachty's Michigan Boy Boat album, "G.I. Joe" was yet another standout. It's great to see the chemistry Yachty has with all of the many features from this project, but there's something especially unique about the energy shared between Boat and Louie Ray.

5. "All of the Opps Is Opp'd" - Lil Yachty (Unreleased)

While not everyone is probably hip to this song, everybody should be. This Cash Cobain-produced banger samples Roy Ayers' "Everybody Loves the Sunshine," and turned it into a contemporary drill classic. Thank us later.

4. "Dynamic Duo" - Lil Yachty (feat. Tee Grizzley) (2021)

The name of the song is no lie: Lil Yachty and Tee Grizzley really are a "Dynamic Duo," but you should've known that already, after their prior collabs. To Lil Boat diehards, this was no surprise. On a stacked project, somehow this song managed to be one of the standouts.

3. "Poland" - Lil Yachty (2022)

Talk about "best Lil Yachty songs." It's impossible to forget the iconic moment Yachty had with the leak of this song. "I took the woOoOoOoOok... to Poland" will never get old, at least to the younger generation. The memes that were generated from this wave will surely never age, that's for sure.

2. "DipSet" - Lil Yachty and Offset (2016)

Lil Yachty and Offset have connected numerous times on collaborations, yet for some reason, this one never ceases to smack. If you haven't heard it already, here's your chance. Feast your ears upon yet another classic.

1. "Coffin" - Lil Yachty (2020)

One of the most memorable Lil Yachty releases ever was his 2020 single, "Coffin." From the moment the video teaser dropped, the hype was there. This felt like the start of a new era of Lil Yachty, embracing the most modern landscape of music, as he's always done in true Yachty fashion.

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The Best Lil Yachty Songs

Lil Yachty, an innovative force in modern hip-hop, has undeniably transformed the music landscape with his vibrant style and unique approach. Bursting onto the scene from Atlanta, his infectious tunes and playful persona quickly captivated a global audience. Known for his striking cherry-red hair and catchy anthems, Yachty's rise to fame is the epitome of the viral success story. From his breakout SoundCloud hit "One Night" to collaborations with heavyweights like DRAM in the track "Broccoli," Yachty's career is a thrilling blend of immense talent and whimsical charm.

Diving into Lil Yachty's discography is like embarking on a spirited voyage through hip-hop's most colorful waters. His debut mixtape Lil Boat set the tone with a nautical theme, blending fun, irreverence, and heartfelt introspection. The Atlanta native's catalogue showcases a spectrum of the genre, from the buoyant rhythms of his earlier work to more experimental ventures.

One of the Lil Yachty's best songs is undoubtedly "Broccoli." This chart-topping collaboration with DRAM is a testament to Yachty’s knack for crafting feel-good anthems. Another exceptional track is "Oprah’s Bank Account," featuring the mega-stars Drake and DaBaby, which exemplifies his ability to seamlessly blend humor with catchy beats. These tracks, alongside others like "Poland," paint a vivid picture of why Yachty's music remains so beloved and enduring.

Lil Yachty’s best songs are more than just a roundup - they are a journey through the multifaceted landscape of contemporary music. His work reflects the energetic spirit of Atlanta’s hip-hop scene while pushing the boundaries of the genre. From crowd-pleasing hits to experimental detours, Yachty’s musical output is a testament to his creative versatility and enduring appeal.

drive ME crazy

Album: Let's Start Here

Why It's Great: "drive ME crazy!" epitomizes Lil Yachty’s innovative flair, blending introspective lyrics with captivating beats. This track captures an ethereal vibe that transports listeners through its lush instrumentals and hypnotic rhythms. Diana Gordon's soulful vocals add depth, creating an intoxicating blend that showcases Yachty's versatility and emotional range. This song stands out for its unique soundscape, effortlessly combining alternative and indie elements that resonate with fans and new listeners alike.

Broccoli (DRAM featuring Lil Yachty)

Album: Big Baby DRAM

Why It's Great: "Broccoli" is a lively and enchanting track by DRAM featuring Lil Yachty. Seamlessly blending hip hop with whimsical, buoyant beats, its catchy flute melodies and playful lyrics stand out. Lil Yachty's vibrant contributions add a charming dynamic, further enhancing the song's upbeat vibe. "Broccoli" exemplifies DRAM's unique musical artistry, making it an essential track that captivates with its infectious energy.

Yacht Club (featuring Juice WRLD)

Album: Nuthin' 2 Prove

Why It's Great: "Yacht Club" features Lil Yachty at his best, delivering cheeky, playful lyrics with a catchy, smooth flow that resonates effortlessly. With Juice WRLD alongside him, the song boasts a vibrant, club-ready vibe that embodies the carefree, exuberant spirit Yachty is known for.

Album: Lil Boat 3

Why It's Great: "Coffin," a standout track, blends punchy 808s and swaggering lyrics to showcase Lil Yachty's undeniable talent and distinct style. The song captures his braggadocious charm and confident flow, painting vivid pictures of luxury. Its infectious beat and hypnotic rhythm make it a fan favorite, epitomizing Yachty's ability to craft memorable anthems that resonate deeply with listeners and highlight his eclectic musical vision.

A Cold Sunday

Album: Something Ether

Why It's Great: "A Cold Sunday" captures the quintessential vibe of Yachty's artistry with its hauntingly introspective lyrics and minimalist beats, creating a raw, emotional atmosphere. The song's reflective theme of battling inner demons amid fame showcases Yachty's lyrical depth. Its resonating melody paired with a pulsating rhythm encapsulates his unique blend of vulnerability and sonic innovation.

Magic in the Hamptons (Social House featuring Lil Yachty)

Album: Magic in the Hamptons

Why It's Great: "Magic in the Hamptons," a standout track by Social House featuring Lil Yachty , encapsulates a breezy, feel-good vibe perfect for any summer playlist. Yachty's playful verse seamlessly blends with the groovy beats and upbeat tempo, highlighting his signature melodic flow. The lyrics capture the euphoria of young love, making it a timeless anthem.

From The D To The A (Tee Grizzley featuring Lil Yachty)

Album: From the D to the A

Why It's Great: "From the D to the A" stands out as an exemplary collaboration between Tee Grizzley and Lil Yachty, showcasing Yachty's versatile flow and distinct artistic flair. The track's hard-hitting beat and memorable lyrical exchanges highlight Yachty's knack for dynamic deliveries and clever wordplay. Its immersive, high-energy vibe perfectly encapsulates the essence of modern hip-hop, making it a must-listen for fans of both artists.

Flex Up (featuring Future & Playboi Carti)

Why It's Great: "Flex Up" showcases a pulsating collaboration of Lil Yachty with Future and Playboi Carti. The track's raw, energetic beats, combined with its flex-heavy lyrics, make it a standout in Yachty's discography. The song captures the trio's lavish lifestyles through catchy hooks and high-octane verses, while its infectious chorus adds an anthemic quality. This masterpiece highlights each artist's unique flair, solidifying its status as a fan favorite.

Oprah's Bank Account (featuring DaBaby & Drake)

Why It's Great: "Oprah's Bank Account" brilliantly showcases Lil Yachty's innovative artistry, melding playful lyrics with a catchy, vibe-heavy beat. With memorable lines like "Diamond in the rough, you look as good as Oprah's bank account," this track highlights his unique ability to blend humor and hip-hop seamlessly. The collaboration with DaBaby and Drake adds layers of dynamic flows, making this song a standout example of Lil Yachty’s creative range and appeal.

Album: Poland

Why It's Great: "Poland" epitomizes the best Lil Yachty songs with its hypnotic blend of cyber-vibrato vocals and synth-heavy production. The song’s memorable hook, “I took the wock to Poland" is a reference to Wockhardt , a company that makes a cough syrup sometimes used in lean. Yachty’s playful, yet emotionally nuanced delivery showcases his ability to innovate within the genre, making "Poland" a standout track in his discography.

Album: stayinit

Why It's Great: "stayinit" showcases a masterful blend of vibrant beats and introspective lyrics, embodying Lil Yachty’s distinct ability to meld emotional depth with infectious energy. Immersed in a captivating sonic landscape crafted by Fred Again and Overmono, "stayinit" gives raw honesty about life's imperfections, and coupled with its pulsating electronic rhythms, it underscores Yachty’s versatility.

Album: Lil Boat 2

Why It's Great: "66," featuring Trippie Redd, stands out as a quintessential track showcasing Lil Yachty's melodic ingenuity. This ambient masterpiece pulses with an ethereal beat that complements Yachty's effortlessly smooth flow and Trippie Redd's distinctive vocal flair. Its laid-back, atmospheric vibe underscores why "66" is a fan favorite, encapsulating the artist's unique ability to merge introspective themes with infectious rhythms.

Pardon Me (featuring Future & Mike WiLL Made-It)

Why It's Great: "Pardon Me" stands out as a dynamic collaboration. Future’s swagger pairs seamlessly with Lil Yachty’s playful yet assertive delivery, while Mike WiLL Made-It’s production intensifies the track’s vibe. This song exemplifies the artist's unique ability to fuse mainstream appeal with his distinctive quirky style, making it a staple in playlists and a must-listen for both new and die-hard fans.

NBAYOUNGBOAT

Why It's Great: "NBAYOUNGBOAT" showcases Lil Yachty's dynamic artistry, intertwining rapid, off-beat rhymes with infectious hooks. Collaborating with YoungBoy Never Broke Again, the track melds energetic beats with raw lyricism, creating a distinct vibe that highlights the strenghs of both artists.

Album: One Night

Why It's Great: "One Night" captivates with its infectious rhythmic beats and ethereal production, skillfully blending hip-hop and alternative R&B. TheGoodPerry’s production lays an atmospheric backdrop, allowing the autotuned vocals to shine. Lyrics explore fleeting romance, capturing both vulnerability and braggadocio. Its catchy hook and laid-back vibe perfectly showcase the artist’s genre-defying talent.

Get Dripped (featuring Playboi Carti)

Why It's Great: "Get Dripped," featuring Playboi Carti, exemplifies the essence of Lil Yachty’s eclectic style. This track delivers hard-hitting beats and infectious energy, reflecting a lifestyle of opulence and swagger. Yachty's playful, innovative lyrics blend seamlessly with Carti’s unique flow, creating a synergy that’s both magnetic and memorable.

Album: Lil Boat

Why It's Great: "Minnesota" stands out as a quintessential track that showcases Yachty's distinctive blend of hip hop and trap, enveloped in a chilled, wintery vibe that matches its title. The song's catchy, melodic hooks and playful lyrics highlight his unique talent for creating infectious tunes. Its relaxed beat combined with features from Quavo and Young Thug adds a collaborative dynamism, making "Minnesota" a fan favorite that encapsulates Yachty's innovative style.

Album: Teenage Emotions

Why It's Great: "Peek a Boo" showcases Lil Yachty's playful lyricism and signature sound, blending catchy hooks and energetic beats with clever pop-culture references to franchises like Pokémon and Blue's Clues . His collaboration with Migos adds a dynamic layer, driving the track's infectious vibe. Noteworthy for its bold and unapologetically quirky lyrics, the song stands as a testament to Yachty's innovative approach to contemporary rap.

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Let’s Start Here.

Quality Control / Motown

February 1, 2023

At a surprise listening event last Thursday,  Lil Yachty   introduced his new album  Let’s Start Here. , an unexpected pivot, with a few words every rap fan will find familiar: “I really wanted to be taken seriously as an artist, not just some SoundCloud rapper or some mumble rapper.” This is the speech rappers are obligated to give when it comes time for the drum loop to take a backseat to guitars, for the rapping to be muted in favor of singing, for the ad-libs to give it up to the background singers, and for a brigade of white producers with plaque-lined walls to be invited into the fold. 

Rap fans, including myself, don’t want to hear it, but the reality is that in large slices of music and pop culture, “rapper” is thrown around with salt on the tongue. Pop culture is powerfully influenced by hip-hop, that is until the rappers get too close and the hands reach for the pearls. If anything, the 25-year-old Yachty—as one of the few rappers of his generation able to walk through the front door anyway because of his typically Gushers-sweet sound and innocently youthful beaded braid look—might be the wrong messenger. 

What’s sour about Yachty’s statement isn’t the idea that he wants to be taken seriously as an artist, but the question of  who  he wants to be taken seriously by. When Yachty first got on, a certain corner of rap fandom saw his marble-mouthed enunciation and unwillingness to drool over hip-hop history as symbols of what was ruining the genre they claimed to love. A few artists more beholden to tradition did some finger-wagging— Pete Rock and  Joe Budden ,  Vic Mensa and  Anderson .Paak , subliminals from  Kendrick and  Cole —but that was years ago, and by now they’ve found new targets. These days, Yachty is respected just fine within rap. If he weren’t, his year-long rebirth in the Michigan rap scene, which resulted in the good-not-great  Michigan Boy Boat , would have been viewed solely as a cynical attempt to boost his rap bona fides. His immersion there felt earnest, though, like he was proving to himself that he could hang. 

The respect Yachty is chasing on  Let’s Start Here. feels institutional. It’s for the voting committees, for the suits; for  Questlove to shout him out as  the future , for Ebro to invite him  back on his radio show and say  My bad, you’re dope.  Never mind if you thought Lil Yachty was dope to start with: The goal of this album is to go beyond all expectations and rules for rappers.

And the big pivot is… a highly manicured and expensive blend of  Tame Impala -style psych-rock, A24 synth-pop, loungey R&B, and  Silk Sonic -esque funk, a sound so immediately appealing that it doesn’t feel experimental at all. In 2020, Yachty’s generational peers,  Lil Uzi Vert and  Playboi Carti , released  Eternal Atake and  Whole Lotta Red : albums that pushed forward pre-existing sounds to the point of inimitability, showcases not only for the artists’ raps but their conceptual visions. Yachty, meanwhile, is working within a template that is already well-defined and commercially successful. This is what the monologue was for? 

To Yachty’s credit, he gives the standout performance on a crowded project. It’s the same gift for versatility that’s made him a singular rapper: He bounces from style to style without losing his individuality. A less interesting artist would have been made anonymous by the polished sounds of producers like  Chairlift ’s Patrick Wimberly,  Unknown Mortal Orchestra ’s Jacob Portrait, and pop songwriters Justin and Jeremiah Raisen, or had their voice warped by writing credits that bring together  Mac DeMarco ,  Alex G , and, uh,  Tory Lanez . The production always leans more indulgent than thrilling, more scattershot than conceptual. But Yachty himself hangs onto the ideas he’s been struggling to articulate since 2017’s  Teenage Emotions : loneliness, heartbreak, overcoming failure. He’s still not a strong enough writer to nail them, and none of the professionals collecting checks in the credits seem to have been much help, but his immensely expressive vocals make up for it. 

Actually, for all the commotion about the genre jump on this project, the real draw is the ways in which Yachty uses Auto-Tune and other vocal effects as tools to unlock not just sounds but emotion. Building off the vocal wrinkle introduced on last year’s viral moment “ Poland ,” where he sounds like he’s cooing through a ceiling fan, the highlights on  Let’s Start Here. stretch his voice in unusual directions. The vocals in the background of his wistful hook on “pRETTy” sound like he’s trying to harmonize while getting a deep-tissue massage. His shrill melodies on “paint THE sky” could have grooved with  the Weeknd on  Dawn FM . The opening warble of “running out of time” is like Yachty’s imitation of  Bruno Mars imitating  James Brown , and the way he can’t quite restrain his screechiness enough to flawlessly copy it is what makes it original.

Too bad everything surrounding his unpredictable and adventurous vocal detours is so conventional. Instrumental moments that feel like they’re supposed to be weird and psychedelic—the hard rock guitar riff that coasts to a blissful finale in “the BLACK seminole.” or the slow build of “REACH THE SUNSHINE.”—come off like half-measures.  Diana Gordon ’s falsetto-led funk on “drive ME crazy!” reaches for a superhuman register, but other guest appearances, like  Fousheé ’s clipped lilts on “pRETTy” and  Daniel Caesar ’s faded howls on the outro, are forgettable. None of it is ever  bad : The synths on “sAy sOMETHINg” shimmer; the drawn-out intro and outro of “WE SAW THE SUN!” set the lost, trippy mood they’re supposed to; “THE zone~” blooms over and over again, underlined by  Justine Skye ’s sweet and unhurried melodies. It’s all so easy to digest, so pitch-perfect, so safe.  Let’s Start Here. clearly and badly wants to be hanging up on those dorm room walls with  Currents and  Blonde and  IGOR . It might just work, too. 

Instead, consider this album a reminder of how limitless rap can be. We’re so eager for the future of the genre to arrive that current sounds are viewed as restricting and lesser. But rap is everything you can imagine. I’m thinking about “Poland,” a song stranger than anything here: straight-up 1:23 of chaos, as inventive as it is fun. I took that track as seriously as anything I heard last year because it latches onto a simple rap melody and pushes it to the brink. Soon enough, another rapper will hear that and take it in another direction, then another will do the same. That’s how you really get to the future. 

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Lil Yachty’s Psychedelic Relaunch: ‘I Don’t Have To Be High To Make It Sound High’

By Andre Gee

I n 2016, a 19-year-old Lil Yachty emerged as a fresh-faced, red-haired maverick eagerly planting Generation Z’s flag in hip-hop . Songs like “Minnesota” intrigued many, but rap traditionalists denigrated him as a “mumble rapper” — an upstart who, they claimed, was insulting the essence of hip-hop one warbled vocal run at a time. That didn’t stop Yachty, though. In the years since, he’s kept trying new things , even as many other artists have gotten stuck retreading tired formulas. “Who cares?” he says now. “It’s going to go, or it’s not. You only have one life, bro. Just do shit.”

But he does offer a few details about the six-month recording process in Texas, New York, and elsewhere, which he says was “fun” at every juncture. At times, he played the work in progress for “heavy hitters” like Kendrick Lamar, J. Cole, A$AP Rocky, Drake, and Tyler, the Creator. “Everyone was ecstatic,” he says, “which made me feel good.”

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Do you think hip-hop could be more accepting of younger artists as they learn and grow? I don’t know. I don’t really care either. Who cares? I don’t need acceptance from nobody. People seek too much validation.

What was the initial catalyst for you to start this album? It was a phone call with Tyler that made me act on it. I always wanted to do it, but that was the battery.

What was the dynamic of that phone call? Were you like, “I want to explore something,” and he was like, “Go for it”? I don’t fully remember, but he was very motivating and inspiring. I didn’t tell him my ideas, but it was more so, “Whatever it is in your heart and in your mind that you want to do, do it. And do it fully, don’t shortcut it. Don’t cut any corners.”

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You’ve referenced psychedelics in interviews. How big a factor was that in the recording process? None. Zero. I can’t record music on drugs. I have to be fully sober. But I’ve done it enough times to know what I want. I don’t have to be high to make it sound high.

You said growing up you listened to all types of music. Did you ever hear the stigma of “That’s white-people music”? Yeah, of course. I don’t give a fuck, bro. It’s so hard to affect me or offend me. I do what I want to do. You feel me? People say this album is white-people music. Who cares, man? What is white-people music?

You’ve said you made this in part because you “wanted to be taken seriously as an artist and not just a SoundCloud rapper, not just a mumble rapper.” What would you say to people who feel like SoundCloud rappers and mumble rappers deserve to be taken as seriously as any other artists? See, that’s the thing. I can’t speak for nobody else. I’m not some spokesman for the people. I’m not vouching for anyone else’s work ethic or creativity, only mine. I want to be taken seriously. I’m not no mumble rap. I’m not just some SoundCloud rapper. I’m not speaking on all SoundCloud rappers. I’m speaking on me, you feel me? I want to make that apparent. This is for me, because everybody don’t have that work ethic. Everyone ain’t going to put the hours in to understand a new genre and how to execute something the right way. 

“See, that’s the thing. I can’t speak for nobody else. I’m not speaking on all SoundCloud rappers. I’m speaking on me, you feel me? This is for me, because everybody don’t have that work ethic.”

You’ve said you had a period of trying to prove you can rap. How do you feel about those efforts now? I love it, man. They made me a man. They made me strong. They made me care more about the craft — because I do. They made me want to learn, be better, sharpen my sword.

Did it ever get to a point with that stigma where it was hard to navigate your career? I don’t think nothing’s hard in life. It just took work and effort, and I still feel like I got more work to put in when it comes to rap and how people perceive me. I care less, though.

How much does the dynamic that you’re talking about here have to do with the stigma against rappers when it comes to award shows and radio play and festivals?  For me, that’s zero. I don’t care about none of that shit. I just make all types of music. It has nothing to do with the fruits and labors that don’t come with being a rapper, none of that. I like to make all music. That’s all it is, totally. It ain’t got nothing to do with not getting the love or respect or not being invited to an award show.

Going forward with your creative process, do you feel like you’ll have that motivation with every album you make, to prove something to a certain audience? Not necessarily. I didn’t make this album to prove that I could. I also want to be taken seriously. But I didn’t make it like, “Oh, man, I need them to take me serious. Let me make this type of album.” I just wanted to make a great album, and I felt like personally, I could do it better this way than if I made a rap album. 

How are things going with your label, Concrete Boyz? That’s next for me. That’s all I care about right now. That’s where we are every day, in the studio getting established together. We got some special artists, and they’re fresh faces. I want to make sure when we drop this, it’s hot, because they’re fire and it’s fresh. You’re gonna hear some fresh sounds. That’s my next project, in the summertime. 

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Have you always been discerning about how much you put yourself out there? No. I got 1,000 interviews on the internet. I hate it. I was young. I didn’t know nothing. Back then, I was trying to be the spokesman for the new generation because no one else wanted to talk. I felt, “I’m going to stand up. I’m going to speak.” But [now] I don’t speak for nobody but me.

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Billboard returns to South by Southwest (SXSW) in Austin, TX for three nights of star-studded concerts benefitting Waterloo Greenway. Taking place at Moody Amphitheater at Waterloo Park, Billboard Presents THE STAGE at SXSW will be headlined by rapper and singer Lil Yachty , Latin superstars Feid and Eladio Carrión , iconic EDM duo Kx5 (Kaskade and deadmau5) , and feature opening performances by Lola Brooke and Armani White .

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